Diedrick Brackens: Social Fabric
ArtReview — June 27, 2025
Critic’s Picks: Diedrick Brackens
Artforum — May 31, 2025
‘What Can I Make Holy?’ Diedrick Brackens Weaves Stories of Survival
artnet — May 6, 2025
SCAD’s “Define Art” challenges the Bible Belt
Document Journal — March 18, 2025
Diedrick Brackens Unravels and Re-Weaves Histories
Hyperallergic — March 13, 2025
‘The loom has a beauty and rhythm’: textile artist Diedrick Brackens on making poetry out of yarn
The Guardian — January 16, 2025
Six Standout Art and Architecture Experiences of 2024
Cool Hunting — January 2, 2025
2024 Was the Year of the Art World’s High Fiber Diet
Art in America — December 12, 2024
A Los Angeles Gallery Brings Bold Art, and Vision, to Miami Beach
The New York Times — December 3, 2024
Artist list for 14th Mercosur Biennial announced
ArtReview — November 19, 2024
Diedrick Brackens’ weavings at Various Small Fires gallery depict the simple life
The Dallas Morning News — October 11, 2024
40 Under 40 Craft: Diedrick Brackens
Apollo Magazine — September 2, 2024
LOOMING LARGE: Presentations of textile art in Washington, DC; New York; and Chicago
Artforum — September 1, 2024
Three LA Museums Plan New Initiative to Share Mohn Collection Focused on Local Artists
ARTnews — August 26, 2024
Diedrick Brackens, they spring from the embers of my mouth | Video in ASL
Whitney Museum — August 21, 2024
A Fiber-Forward Vision of Modern Art
Hyperallergic — July 18, 2024
On View: ‘Diedrick Brackens: Blood Compass’ at Jack Shainman Gallery
Culture Type — May 24, 2024
For Artist Diedrick Brackens, Weaving Is An Act of Religion
Interview Magazine — May 10, 2024
Beneath a Full Moon, a Healing Ritual
New York Times — December 11, 2020
Diedrick Brackens
Frieze — April 5, 2021
Texan Artist Diedrick Brackens Weaves Black History Into His Tapestries
W — November 12, 2019
Diedrick Brackens
CARLA — 2019
Layers of the Loom
LALA Magazine — 2019
Diedrick Brackens
Artforum — 2018