Play Dead is LA-based artist Juan Capistrán’s first exhibition at Various Small Fires. Originally made in 2014 for the Hammer Museum, the sculpture I wanna be your dog takes on new meaning as it is re-installed today after several events have passed in the last six years attaching new cultural significance and interpretation to the work. Many viewing this installation will do so from home, in their own form of confinement in the fight against the Covid-19 crisis by government order. At its core, the work addresses the politics of the governed body and the spectacle of power. You hear people say “I don’t own this dog, this dog owns me.” As utopian visions of governance on the left and right fail us, perhaps we must question: Does the government own us or do we own the government? Are we the government’s dog? Police brutality, the prison industrial complex, and the treatment of human beings at the southern borders of the United States would indicate that the American government is willing to treat people in some instances, worse than a dog. Juan Capistrán’s practice questions the status quo, ideas of freedom, and the power dynamics of current socio-political systems. I wanna be your dog is a social sculpture in which the viewer is invited to crawl on their knees to fit into a caged space, if they so choose. They stand in the center and put their head in the collar, and they are restrained on spectacle. Capistrán posits that the society-at-large stands for the uncivilized which in this case is the cage. In this Beuysian thought experiment turned installation, agency is regained by relinquishing our individual self-worth and embodying the role of a dog in an attempt to test the viewer’s relationship to the establishment. It’s subversive and scandalizing to want to be a dog, to be “low.” By interacting with the sculptures, the viewer role-plays stripped civility.
