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Edgar Cruz
Anthotype I (Beet), 2022
Anthotype on paper
22 x 15 in / 55.9 x 38.1 cm -
The Harrison StudioEpitaph, 2022Archival pigment print on canvas46 1/4 x 33 1/2 in
117.5 x 85.1 cm -
The Harrison StudioUntitled (Outtake from Seventh Lagoon Cycle), Made 1981-84, Assembled 2022Pencil on archival sepia toned photograph17 x 46 1/2 in
43.2 x 118.1 cm -
Yangkurathe forgotten messenger with a little girl, 2017Archival pigment print21 5/8 x 16 1/2 in
55 x 42 cm -
Ruth WallenWalking with Trees, 2021Archival pigment print36 x 36 in
91.4 x 91.4 cmEdition of 5-10 -
Jorgge Menna BarretoButter Architecture (Various Small Fires) , 2022Single channel HD MPEG-4 video58:04 minutesEdition 1 of 3 plus 1 AP
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Barbara BenishClimate House (Breakfast Nook) #2, 2021Watercolor on blueprint paper14 1/2 x 20 1/4 in
36.8 x 51.4 cm -
Barbara BenishClimate House (Detail #2), 2021Watercolor on blueprint paper14 3/4 x 20 1/4 in
37.5 x 51.4 cm -
Barbara BenishClimate House (Flood) #2, 2021Watercolor on blueprint paper14 1/2 x 20 1/4 in
36.8 x 51.4 cm -
Aviva RahmaniThe Blued Trees Symphony Measures and Sites, 2022Colored pencil and gold leaf on GIS mapping print18 x 28 3/4 in
45.7 x 73.2 cm -
Aviva RahmaniRequiem for Dead Trees and Dying Horses, 2022Colored pencil and gold leaf on GIS mapping print18 x 28 3/4 in
45.7 x 73.2 cm -
Salma ArastuSecret Dialogue-I, 2021Rust, rope, oil pastel on canvas36 x 18 in
91.4 x 45.7 cm -
Salma ArastuMycelial Flow-II, 2021Rust, rope, paper, palm fiber, and acrylic on canvas36 x 24 in
91.4 x 61 cm -
Tim Collins and Reiko GotoLanolin, Can you see the forests of Scotland, 2013Tapestry, washed and unwashed fleece48 1/8 x 72 1/8 in
122 x 183 cm -
Tim Collins and Reiko GotoDECOY, 2017Single channel HD video15:49 minutesEdition 1 of 3 plus 1 AP
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Brandon BallengéeMIA Redface Morray Eel, 2020Mixed media with Deepwater Horizon source crude oil; Taylor/MC20 source crude; contaminated marshland sediment with oil; anaerobic bacteria and iron oxide; and COREXIT 9500A (dispersant) on Arches hot press watercolor paper.27 x 38 1/2 in
68.6 x 97.8 cm
(Framed) -
Brandon BallengéeRIP British Large Copper Butterfly: After William Lizars, 1835/2017Artist cut and burnt hand colored copper engraving, ashes and etched
funerary urn.
Species declared extinct in 185111 1/4 x 8 3/4 x 1 in
28.6 x 22.2 x 2.5 cm
(Framed) -
Brandon BallengéeRIP California Grizzly Bear: After Thomas Hill (Old Grizzly Den Invaded Squaw Valley) , 1888/2015Artist cut and burnt photogravure, ashes and etched funerary urn.
Species last observed (shot) 192218 5/8 x 21 7/8 in
47.3 x 55.6 cm
(Framed) -
Brandon BallengéeRIP Dodo: After Matthaus Merian, 1660/2018Artist cut and burnt hand colored copper engraving, ashes and etched
funerary urn.
Species last observed 1660s20 7/8 x 16 x 1 5/8 in
53 x 40.6 x 4.1 cm
(Framed) -
Brandon BallengéeRIP Eastern Cougar: After Randy Feh, 1993/2015Artist cut and burnt chromolithographic magazine cover, ashes and etched funerary urn.
Species declared extinct in 201118 x 15 7/8 in
45.7 x 40.3 cm
(Framed) -
Brandon BallengéeMIA Deepwater Florida Dreamer Anglerfish,, 2021Mixed media with Deepwater Horizon source crude oil; Taylor/MC20
source crude; contaminated marshland sediment with oil; anaerobic
bacteria and iron oxide; and COREXIT 9500A (dispersant) on Arches hot
press watercolor paper.27 x 38 1/2 in
68.6 x 97.8 cm
(Framed) -
Brandon BallengéeRIP Jamaican Poorwill: After John Latham, 1795/2014Artist cut and burnt hand-colored copper plate engraving, ashes and etched funerary urn
Species last observed middle 19th Century13 3/4 x 12 3/4 in
34.9 x 32.4 cm
Eco-art Work: 11 Artists from 8 Countries | Curated by Newton Harrison: Salma Arastu | Brandon Ballengée | Barbara Benish | Nathalie Blanc | Tim Collins & Reiko Goto | Edgar Cruz | The Harrison Studio | Jorgge Menna Baretto | Aviva Rahmani | Åsa Sonjasdotter | Ruth Wallen | Yangkura
PAST exhibition
